YEAR
PUBLICATION
DESIGNER
TYPE
SORT
all(89)
all(45)
all(995)
all(11)
1915 IMAGES
Peter Cook. Domus 469 December 1968, 48 Peter Eisenman. A+U 252 Sep 1991, 91 Coop Himmelblau. Architectural Design v.61 n.92 1991, 24 Alison and Peter Smithson(1968). Alison and Peter Smithson. Architectural Design, London 1982, 17 Makoto Sei Watanabe. SD 315 December 1990, 40 L. Finzi. Casabella 309 1966, 59 Cedric Price. Architectural Review v.137 n.815 Jan 1965, 8 Ian Akroyd and Karen Whatley . Architectural Design 53 3-4 1983, 59 Carlo Scarpa. Casabella 254 1961, 3 Stanley Tigerman. GA Houses. 13 1983, 42 Libbey Owens Ford Glass Co. Architect and Engineer 136 7 March 1939, 5 Constantino Nivola. Interiors v.100 n.7 Feb 1941, 30 Ford and Earl. Architectural Record. Jan 1974, 40 Richard Plunz. Lotus 10 1975, 18 Tadao Ando. SD 300 September 1989, 15 Fumio Enomoto. SD 315 December 1990, 33 Antonio Font. Quaderns. 193 1992, 115 Grosche Borner and Stumpfel. Bauwelt 38-29 1967,1144 Ernest Weihe. Pencil Points 18 June 1937, 388 Piero Sartogo. Domus 478 September 1969, 8 Ulrich Konigs. AA Files 29 Summer 1995, 33 Steven Holl. GA Houses. 10 1982, 131 Frank Gehry. GA Document. 5 1982, 80 Charles Nicod. Les Grands Prix de Rome v.5 1907, 1 Robert Hamilton. Balance v1, n3 1955, 11 Guy Lagneau. Architecture D'Aujourd'Hui v. 20 no. 30 Jul 1950, 3 Toyo Ito. GA Japan vol 3 Spring 1993, 62 Paul Rudolph. Architectural Record. Nov 1970, 89 Donald R. Dohner. Interiors v.102 n.11 Jun 1943, 59 Yasuo Yoshida. GA Houses. 14 1983, 267 Massimo Scolari. Lotus 11 1976, 61 Nicola Mosso, Leonardo Mosso, and Livio Norzi. Casabella 229 1959, 34 Stanley Tigerman and GL Crabtree. A+U 55 July 1975, 42 Vernon G. Leckman. Arts and Architecture. Jul 1954, 14 Hiroshi Maruyama. Japan Architect 5 Winter 1992, 29 Sergio Bernardes. Modulo. 25 1961, 8 Gabriella Esposito Roberto Maestro Sergio Nicola. Domus 411 February 1964, 6 Humphrey Spender. Architectural Review v.117 n.698 Feb 1955, 79 Shin Takamatsu. l'Arca 77 December 1993, 37 Frank Lloyd Wright. Envisioning Architecture (MoMA, New York, 2002) 1927, 54