YEAR
PUBLICATION
DESIGNER
TYPE
SORT
all(89)
all(45)
all(995)
all(11)
1915 IMAGES
Sauerbruch Hutton.   1996, Humphrey Spender. Architectural Review v.117 n.698 Feb 1955, 78 Murphy Jahn. A+U 181 October 1985, 60 C.H. Elsom. Architectural Review v.125 n.747 Apr 1959, 236 Eduardo Kneese de Mello and Carlos J Sena. Modulo. 13 1959, 11 Peter Womersley. Architectural Review v.143 n.851 Jan 1968, 40 Charles Lemaresquier. Les Grands Prix de Rome V.4 1900, 478 Makoto Sei Watanabe. Japan Architect Feb 1988, 52 Oliver Cox. Architectural Review v.117 n.702 Jun 1955, xlix William Morgan. Architectural Record. Sep 1972, 136 Richard Lundquist. AA Files 13 Autumn 1986, 65 Allessandro Orlandi. L'invention du parc. Graphite 1984, 194 Studio Capolei Cavalli Studio Valle. l'Arca 94 June 1995, 45 Juan A Ruis. Arquitectura. v.5 n.32 1919, 40 Gian Ugo Polesello, Aldo Rossi, Luca Meda. Casabella 276 1963, 39 Stanley Tigerman. GA Houses. 6 1979, 37 R.Buckminster Fuller. Envisioning Architecture (MoMA, New York, 2002) 1927, 64 E. F. Catalano. Architecture D'Aujourd'Hui v. 24 no. 50 Dec 1953, 128 Z.Hecker A.Neumann E.Sharon. Calli. 36 1969, 39 Smith-Miller+Hawkinson. Quaderns. 184 1990, 75 Alvar Aalto. Architecture D'Aujourd'Hui 93 December 1960, 13 Jose P Belloni Gadea. Arquitectura. v.5 n.32 1919, 38 Arata Isozaki. GA Document. 8 1983, 11 Caunsin Conradt Vermeulen. L'invention du parc. Graphite 1984, 223 Remment Koolhass and Laurinda Spear. Progressive Architecture 56 January 1975, 47 Frank Gehry. Arquitectura Viva v.28 January-February 1993, 92 Quasar Khanh. Domus 462 May 1968, 13 Chaures. Les Grands Prix de Rome v.6 1911, 31 James Corner. Taking Measure Across the American Landscape. Yale University Press, New Haven 1995, 6 Ivor De Wolfe and Kenneth Browne. Civilia. Architectural Press London 1971, 103 Architectural Record 10 1 January 1901, 49 Carlo Pelliccia, Piero Sartogo. Casabella 325 1968, 33 Gunnar Birkerts. Progressive Architecture 56 September 1975, 63 Oscar Niemeyer. Modulo. 12 1959, 37 Hans Poelzig. Envisioning Architecture (MoMA, New York, 2002) 1918, 48