YEAR
PUBLICATION
DESIGNER
TYPE
SORT
all(89)
all(45)
all(995)
all(11)
1915 IMAGES
Janek Bielski. A+U 261 June 1992, 34 Steven Holl. GA Houses. 10 1982, 131 Zivi Hecker. A+U 204 September 1987, 49 Le Corbusier. Casabella 259 1962, 56 Studio Quaroni, Studio DOlivo, Studio A Manzone. Casabella 283 1964, 55 Giuseppe Perugini and Uga de Plaisant. L'Architettura  1968, Rene Barre. Les Grands Prix de Rome v.6 1912, 18 Mario Cucinella. l'Arca 81 April 1994, 54 Studio Kazanski. Domus 545 April 1975, 7 Josep Lluis Canosa, Carles Ferrater, Bet Figueras. Quaderns. 194 1992, 99 Eugenio Abruzzini. L'Architettura  1968, Makoto Kikuchi. Japan Architect Nov 1988, 47 Turner Brooks. GA Houses. 7 1980, 204 Arata Isozaki. GA Document. 8 1983, 57 Rodolfo Amargos. Arquitectura. v.4 n.24 1918, 11 Jorge Caprario. Arquitectura. v.4 n.27 1918, 61 Philip Johnson and John Burgee. Architectural Record. Mar 1974, 215 Sergio Nicola and Aldo Rizzotti. Casabella 235 1960, 37 Kazuhiro Ishii. Japan Architect Aug 1987, 49 Makoto Kikuchi. Japan Architect Nov 1988, 45 Oscar Niemeyer. Architecture D'Aujourd'Hui v. 25 no. 52 Feb 1954, 27 Jean Ginsberg. Architecture D'Aujourd'Hui 89 April 1960, 21 Mario Botta. GA Document. 6 1983, 32 Hoberman and Wasserman. Architectural Record. Apr 1971, 127 Mario Botta. GA Houses. 3 1977, 90 Snowden Price Newby. Architectural Design 35 September 1965, 454 Catrina Beevor and Robert Mull. AA Files 26 Autumn 1993, 17 Michel Corajoud. L'invention du parc. Graphite 1984, 178 Garofalo Lynn McInturf. Casabella 673 1999, 62 James Gowan (1963). James Gowan. Architectural Design, London 1978, 56 Christoph Langhof. Quaderns. 198 1993, 14 Future Systems. A+U 219 December 1988, 97 Norman Bel Geddes. Pencil Points 21 July 1940, 417 Ralph Lerner. GA Houses. 11 1982, 120 John Portman. GA Document. 3 1981, 97 Shin Takamatsu. Architecture and Nothingness. L'Arca Milano 1996, 192 Yutaka Hikosaka. Japan Architect Nov 1988, 20 SITE. Architectural Record. Feb 1972, 102 Elisa Brunner. Casabella 344 1970, 9 Hugh Ferriss. Envisioning Architecture (MoMA, New York, 2002) 1924, 52